Acting legend Dame Maggie Smith dies at 89.

Govind Tekale

Dame Maggie Smith Dies at 89 After 70 Years in Film, TV, and Theatre, Winning 2 Academy Awards and 4 Emmy Awards

Academy Award winners, British cinema legends, Emmy-winning actresses, Maggie Smith, Theatre icons

In a somber announcement that has sent ripples through the entertainment world, Dame Maggie Smith, the venerable British actress whose career spanned over seven decades, has passed away at the age of 89. The news, confirmed by her sons Toby Stephens and Chris Larkin on Friday, September 27, 2024, marks the end of an era in British and international cinema.

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A Career Marked by Distinction

Smith’s illustrious career was adorned with numerous accolades, including two Academy Awards, four Primetime Emmy , 1 for “Outstanding Lead Actress In A Miniseries Or A Movie” for “My House in Umbria” in 2003, 2 for “Outstanding Supporting Actress In A Miniseries Or A Movie” for “Downton Abbey” in 2011 and 2012 respectively and 1 for “Outstanding Supporting Actress In A Drama Series” for “Downton Abbey” in 2016. She also won a Tony Award in 1990 for her play “Lettice and Lovage”. Her first Oscar came in 1970 for her role in “The Prime of Miss Jean Brodie,” where she portrayed the title role of an eccentric and well-meaning teacher. This performance not only earned her the Academy Award but also a BAFTA, setting the stage for a career filled with memorable characters.

From Stage to Screen: A Versatile Talent

While many remember Smith for her later roles in popular franchises, her roots were deeply embedded in the theater. She made her stage debut in 1952, playing Viola in “Twelfth Night.” Over the years, she graced both the West End Theatre and Broadway, winning a Tony Award in 1990 for her performance in “Lettice and Lovage.”

Smith’s versatility was evident in her ability to transition seamlessly between stage and screen. She appeared in over 50 movies, each performance a testament to her range as an actor.Smith was nominated for a total of six oscars, for Othello (for 1966 Oscars), The Prime of Miss Jean Brodie (for 1970 Oscars) (her first oscar win), Travels with my Aunt (for 1973 Oscars), A Room with a View (for 1987 Oscars),Gosford Park (for 2002 Oscars) and her second Oscar, that came for her supporting role in “California Suite” in 1979, showcasing her comedic talents. 


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The Harry Potter Years

For a younger generation, Smith became synonymous with Professor Minerva McGonagall. in the Harry Potter film series. From 2001 to 2011, she brought the stern but fair Transfiguration teacher to life, appearing in seven of the eight films. This role introduced her to a new audience, cementing her status as a beloved figure in popular culture.

Downton Abbey: A Late-Career Renaissance

Smith’s portrayal of Violet Crawley, the Dowager Countess of Grantham, in “Downton Abbey” brought her renewed acclaim in her late 70s. The role earned her three Primetime Emmy Awards and showcased her impeccable timing and wit. Julian Fellowes, the creator of “Downton Abbey,” praised Smith’s contribution in a statement made to Variety, “Maggie Smith was a truly great actress… Working with her has been the greatest privilege of my career, and I will never forget her”, as reported by Alex Ritman.

A Private Life Amidst Public Acclaim

Despite her fame, Smith was known for her intensely private nature. She rarely gave interviews and in an interview with The Telegraph, she famously quoted saying, “…I love wandering around on my own and I just couldn’t,” referring to the increased recognition from her television roles, as reported by Elizabeth Grice.

Personal Life and Family

Dame Maggie Smith was married twice, first to actor Robert Stephens from 1967 to 1973 (when they split), with whom she had two sons, Chris Larkins and Toby Stephens, both actors. Her second marriage was to playwright Beverley Cross, lasting from 1975 until his death in 1998. She leaves behind her sons and five grandchildren.

Health Challenges and Resilience

Throughout her career, Smith faced health challenges with characteristic resilience. She overcame Graves’ disease in 1988 during the run of “Lettice”. Her resilience and medication helped her get through, and although she missed one performance she could play through her year long contract. Later at the age of 78, while shooting “Downton Abbey”, she battled breast cancer, demonstrating the same strength off-screen that she often portrayed in her roles.

Legacy and Impact

Smith’s impact on British cinema and theatre is immeasurable. Her career, spanning from the 1950s to the 2020s, saw her work with some of the most renowned directors and actors of multiple generations. Her ability to adapt to changing times while maintaining her distinctive style made her a unique figure in the entertainment industry.

Final Roles and Continued Relevance

Even in her later years, Smith continued to work, appearing in films such as “The Lady in the Van” (2015) and “Downton Abbey: A New Era” (2022). Her final film role was in “The Miracle Club” (2023), released shortly before her passing.

Tributes from Colleagues

Colleagues and co-stars have been quick to pay tribute. Hugh Bonneville, who played her son in “Downton Abbey,” described her as “a true legend of her generation”, in a statement to the Associated Press as reported by the same, Michelle Dockery, who portrayed Lady Mary Crawley, said to BBC, “There was no one quite like Maggie. I feel tremendously lucky to have known such a maverick”, as reported in BBC by Helen Bushby and Ian Youngs.

A Lasting Legacy

As the curtain falls on Maggie Smith’s remarkable life, her legacy in film, television, and theatre remains indelible. Her sharp wit, commanding presence, and ability to bring depth to every character she portrayed will continue to inspire actors and entertain audiences for generations to come.

From her early days on the British stage to her late-career renaissance in global television hits, Dame Maggie Smith’s journey through the entertainment world was nothing short of extraordinary. Her passing marks not just the end of a career, but the closing of a chapter in the history of British acting.

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